Lost European, their style of music is “art rock”…alternative, progressive, intricate and orchestrated with precision crafted songs that are catchy and meaningful. Created by the rocket scientists who designed the Stealth Bomber, the F-18 Hornet and the Apache Helicopter, this apocolyptic CD is dark and moody, yet highly polished alternative rock filled with catchy melodies and powerful music.
Lost European is a sophisticated band with a Euro-British sound. The songwriting is all original. The founding band members are degreed aerospace engineers from Britain and the U.S. Not only have they designed some of the most extraordinary high tech fighters and spacecraft of the world, they have also formed a high tech band of skilled musicians, composers, and computer programmers.
The Four Seasons (Italian: Le quattro stagioni) is a group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives musical expression to a season of the year. These were composed around 1718–1720, when Vivaldi was the court chapel master in Mantua.
They were published in 1725 in Amsterdam, together with eight additional concerti, as Il cimento dell’armonia e dell’inventione (The Contest Between Harmony and Invention).
The Four Seasons is the best known of Vivaldi’s works. Though three of the concerti are wholly original, the first, “Spring”, borrows patterns from a sinfonia in the first act of Vivaldi’s contemporaneous opera Il Giustino. The inspiration for the concertos is not the countryside around Mantua, as initially supposed, where Vivaldi was living at the time, since according to Karl Heller they could have been written as early as 1716–1717, while Vivaldi was engaged with the court of Mantua only in 1718.
They were a revolution in musical conception: Vivaldi represented flowing creeks, singing birds (of different species, each specifically characterized), a shepherd and his barking dog, buzzing flies, storms, drunken dancers, hunting parties from both the hunters’ and the prey’s point of view, frozen landscapes, and warm winter fires.
Unusually for the period, Vivaldi published the concerti with accompanying sonnets (possibly written by the composer himself) that elucidated what it was in the spirit of each season that his music was intended to evoke. The concerti therefore stand as one of the earliest and most detailed examples of what would come to be called program music—in other words, music with a narrative element. Vivaldi took great pains to relate his music to the texts of the poems, translating the poetic lines themselves directly into the music on the page. For example, in the middle section of “Spring”, when the goatherd sleeps, his barking dog can be heard in the viola section. The music is elsewhere similarly evocative of other natural sounds. Vivaldi divided each concerto into three movements (fast–slow–fast), and, likewise, each linked sonnet into three sections. (ref Wikipedia)
Clarence “Pinetop” Smith (June 11, 1904 – March 15, 1929), was an American boogie-woogie style blues pianist. His hit tune “Pine Top’s Boogie” featured rhythmic “breaks” that were an essential ingredient of ragtime music, but also a fundamental foreshadowing of rock and roll.[2] The song was also the first known use of the term “boogie woogie” on a record, and cemented that term as the moniker for the genre.
Smith was born in Troy, Alabama and raised in Birmingham, Alabama. He received his nickname as a child from his liking for climbing trees. In 1920 he moved to Pittsburgh, Pennsylvania, where he worked as an entertainer before touring on the Theatre Owners Booking Association (T.O.B.A.) vaudeville circuit, performing as a singer and comedian as well as a pianist. For a time, he worked as accompanist for blues singer Ma Rainey and Butterbeans and Susie.
In the mid-1920s, he was recommended by Cow Cow Davenport to J. Mayo Williams at Vocalion Records, and in 1928 he moved, with his wife and young son, to Chicago, Illinois to record. For a time he, Albert Ammons, and Meade Lux Lewis lived in the same rooming house.
On December 29, 1928, he recorded his influential “Pine Top’s Boogie Woogie”, one of the first “boogie woogie” style recordings to make a hit, and which cemented the name for the style. It was also the first recording to have the phrase ‘boogie woogie’ in the song’s title.[6] Smith talks over the recording, telling how to dance to the number.[2] He said he originated the number at a house-rent party in St. Louis, Missouri. Smith was the first ever to direct “the girl with the red dress on” to “not move a peg” until told to “shake that thing” and “mess around”. Similar lyrics are heard in many later songs, including “Mess Around” and “What’d I Say” by Ray Charles.
Virginia Liston was one of the blues singers whose career was spent primarily in Black vaudeville. She is said to have gotten her start in show business around 1912 in Washington D.C. In 1920 she married entertainer Sam Gray and toured with him as part of a husband-and-wife team called Liston & Liston.
They divorced in 1925. In the early ’20s Liston came in contact with Clarence Williams, who recorded with her for Okeh for the first time in September, 1923. Thirty-six issued sides for Okeh and Vocalion came out under Virginia Liston’s name through the summer of 1926, the most famous being a pairing that united Liston with Clarence Williams’ Blue Five, then including Louis Armstrong and Sidney Bechet. Virginia Liston remarried and retired from show business in 1929, afterward settling in St. Louis to work in the church. Three years later she was dead. ~ Uncle Dave Lewis
Craig Morgan Greer (born July 17, 1964) is an American country music artist. A veteran of the United States Army as a forward observer and current member of the United States Army Reserve, Morgan began his musical career in 2000 on Atlantic Records, releasing his self-titled debut album for that label before the closure of its Nashville division in 2000.
In 2002, Morgan signed to the independent Broken Bow Records, on which he released three studio albums: 2003’s I Love It, 2005’s My Kind of Livin’, and 2006’s Little Bit of Life. These produced several chart hits, including “That’s What I Love About Sunday”, which spent four weeks at the top of the Billboard country charts while also holding the No.
1 position on that year’s Billboard Year-End chart for the country format. A greatest hits package followed in mid-2008 before Morgan signed to BNA Records and released That’s Why later that same year. After exiting BNA, Morgan signed with Black River Entertainment and released This Ole Boy in 2012, followed by A Whole Lot More to Me in 2016. (ref Wikipedia)
